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UPLANDS Article | Kaiela Arts: Catalysts for Change, Collaboration and Creative Sovereignty

Image: Detail of Yorta Yorta artist, Aunty Lyn Thorpe's work at Spacecraft studio, Melbourne. Photo by James Henry

Victoria and Southeastern Australia are lands steeped in the complex tapestry of Indigenous histories and identities. These narratives, forged in the crucible of colonial devastation and contemporary cultural resurgence, tell tales of resilience and renewal. The Indigenous communities here navigate the scars of intense assimilation and the challenges of urbanisation, yet their spirit remains unbroken. Amidst this intricate backdrop, cultural sanctuaries like Kaiela Arts emerge as vital beacons, illuminating paths of cultural preservation and creative expression. 

Nestled in the heart of Shepparton on the sacred lands of the Yorta Yorta Nation in regional Victoria and recently relocated under the same roof as the local Shepparton Art Museum, Kaiela Arts stands as a beacon of resilience, collaboration, creativity, and cultural preservation. Established in 2006, this Aboriginal art centre is an artistic hub and a vital conduit for cultural exchange and community empowerment. As one of only two successfully established Indigenous art centres in Southeastern Australia, Kaiela Arts carries a unique responsibility to lead a movement that is as much about preserving history as it is about shaping the future. What distinguishes Kaiela Arts is its commitment to authenticity and accessibility. The centre’s innovative and grounded approach to business partnerships and educational relationships with the broader community has ensured strong and lasting connections.

As a member of Kaiela Arts and the Yorta Yorta community, I have always been inspired and proud of the centre’s relentless inquiry in embracing our identity as a local Yorta Yorta cultural cornerstone, preserving traditional practices and knowledge but also exploring the dynamics of collaborative engagement between other Indigenous groups and Non-Indigenous peoples within the community. Our commitment to unity is reflected in our continuous quest to devise strategies to embed protocols and culture in creative processes to honour our diverse community’s myriad voices, positionalities, and ways of knowing. We often ask ourselves: How can Kaiela acknowledge our shared presence and distinct identities? And how can we cultivate a vision of sovereignty favouring communal relationships and collective responsibility for kin, land, tradition, and innovation over capitalist ideals? Our mission transcends mere preservation; we are dedicated to seamlessly integrating the wisdom of the past with the vitality of the present through critical self-reflection and embracing challenging dialogues. 

Our artistic expressions, deeply intertwined with our cultural knowledge systems, serve as a wellspring of resilience in the face of profound displacement and loss of many of our ancestral homelands in an increasingly urbanised and fragmented landscape. Our art styles are distinguished by our dedication to South Eastern Aboriginal peoples’ traditional linear and X-ray styles. By integrating these traditional styles into our contemporary expressions through modern art-making techniques, our artists can make powerful statements about well-developed aesthetics and the visibility of a thriving contemporary Aboriginal culture. Through our art and spaces like Kaiela, we assert our cultural identity and continue to thrive, demonstrating that even amidst the degradation of ancestral lands, our traditions and knowledge remain vibrant and integral to our community.

Many of our artists believe that their artistic expressions are vital not only for education and cultural exchanges but also for reclaiming and healing their cultural identity. As one of our respected artists, Aunty Lyn Thorpe, poignantly states, “Doing all of this and creating these works is essentially strategic and critical thinking from a cultural lens, and this knowledge is medicine – gaining back that is healing – continuing to practise this knowledge or regain it is centred in healing.”

It seems only fitting that we remain focused on healing. The past few years have presented numerous challenges to Kaiela Arts, from the impacts of COVID-19 to the nationwide heartbreak felt by Indigenous communities following the recent referendum. Although, these adversities have only strengthened our resolve to create meaningful change. In response, we are more eager than ever to find innovative and sustainable ways to collaborate and thrive within our cultural spaces, turning obstacles into opportunities. Therefore, we eagerly anticipate our upcoming projects, enabling us to delve deeper into these creative processes. 

One particularly intriguing initiative is the KINnected camp, where our members will engage in immersive discussions to foster the development of our unique cultural frameworks. This initiative aims to forge stronger, more inclusive cultural strategies that honour traditions while addressing contemporary challenges. It may serve as a beacon for the broader sector. It showcases how community-driven projects can sustain cultural vitality and create culturally safe spaces for Indigenous knowledge systems and modern practices to intersect and flourish. The camp will testify to Kaiela’s commitment to cultural preservation and evolution.

Like most other art centres, our elders also play a crucial role in these processes, especially in healing practices. They are pillars within our sacred cultural spaces, embodying the innate ability to impart cultural knowledge that comes from a place of healing and trust. As creators, custodians, and guardians of historical wisdom, they serve as a bridge between epochs, invoking the spirit of their ancestors while addressing the urgencies of today’s world. Aunty Lyn Thorpe’s work represents an act of cultural resistance and renewal, intertwining the past and present. Through these respected community leaders, younger generations, including myself, inherit a living testament to our people’s enduring strength and resilience.

Aunty Lyn Thorpe is a highly respected elder and artist with a keen ability to think critically and navigate different worlds. She continues to be a valued member of Kaiela, which is why we have chosen her as our featured artist for our return to the 2024 Darwin Art Fair. Aunty Lyn has collaborated with Spacecraft, a screenprinting studio in Melbourne, to create and produce new works for the fair. These pieces will make a powerful statement about Kaiela and our return to the big stage.

Aunty Lyn expressed: “These works represent our sense of being that is intertwined with Country, people and stories, which all nurture healing, pride, and strength.”

I am immensely proud of Kaiela Arts for our unwavering strength and steadfast commitment to upholding our local community’s cultural integrity while embracing the challenges of our environment. Like many Indigenous communities and cultural spaces in this nation, Kaiela has been compelled to adapt and remain resilient in the face of adversity. Nestled within an urban landscape, Kaiela contends with trials different from those of our brothers and sisters in remote art centres. Rather than resisting the oversaturated, Western-dominant environment that surrounds us, we choose to transform these challenges into opportunities for growth and empowerment.

Published: 28 June 2024

Melbourne

Panel Talk | Beyond Borders: Exploring The Indigenous Artistic Narrative in the Contemporary Commercial Art World

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I urge any First Nations artists or anyone interested in discovering the dynamic intersection of First Nations creativity and commercial artistry byJoining myself and three other talented First Nations artists for a panel discussion delving into the profound impact of Indigenous perspectives on the design and commercial art landscape. As the pulse of artistic innovation quickens, First Nations voices are increasingly shaping the narrative of value in the art world!

We will explore pressing questions at the heart of this cultural renaissance such as: How do First Nations artists forge culturally respectful pathways? And how can businesses maintain integrity while navigating diverse creative paradigms?

In this thought-provoking session, we delve into the critical dialogue surrounding respectful and meaningful engagement with First Nations artists and will gain invaluable insights from local Yorta Yorta artists Dixon Patten, Troy Firebrace, and Alkina Edwards, as they illuminate their journeys, challenges, and triumphs within the commercial art sphere.

We invite anyone interested in seizing this unique opportunity to embrace Indigenous perspectives, foster equitable collaboration, and ignite your own creative evolution!

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This event is a Creative City Networking Session supported by Greater Shepparton City Council and produced by Kaiela Arts in partnership with TOPSOIL Collective.

Date: Monday 20th May 2024

Time: 6pm for a 6.30pm start

Venue: The Connection, 7287 Midland Hwy, Shepparton

Host: Chloe Jones

Panellists: Dixon Patten Jr, Troy Firebrace, Alkina Edwards

Image: First Nations, Yorta Yorta Artist, Troy Firebrace - photography by Leon Schoots

Published: 30th April 2024

Melbourne